I was turned on to audiobooks by Leo Laporte who is a technology personality that hosts a variety of podcasts on his TWIT Network (TWIT stands for This Week In Technology). I listen to his weekly TWIT and Mac Break Weekly shows which are (or were) sponsored by Audible.com. To spotlight Audible, halfway through each show he gives them a plug and recommends an audiobook along with each of his co-hosts.
I was also inspired by my co-worker Emily Weir who started a new blog reviewing movies. I am listening to an audiobook that is a movie and I thought it deserved to be reviewed, because it is better than the movie. I am talking about A Scanner Darkly written by Philip K. Dick and read by Paul Giamatti of Sideways fame.
Dick died in 1982, but his fame continues to grow especially by his works that were adapted into film, including Blade Runner, Total Recall, Paycheck, Screamers and Minority Report. A Scanner Darkly stars Keanu Reeves and Robert Downey, Jr. It was created using rotoscoping. It is animation created overtop actual film footage. You have probably seen the effect used most recently in several Charles Schwab commercials. I've included a trailer from the movie below, but this is not a review of the movie but of the book.
I am listening to the book because I watched the movie and while I enjoyed the movie I felt I was missing something, the story felt incomplete. I often try to read a book before I see the movie because I like to compare the two and I do not want the ending of the book spoiled by the movie. Unfortunately, some movies deviate from the books upon which they are based and the results are usually less than satisfying. What were they thinking when they wrote the screen play for the Da Vinci Code?!? The book's ending was so much better.
With A Scanner Darkly, the book has the advantage of being 9.5 hours long while the movie is only 100 minutes long. I agree 100% with Publishers Weekly review of the audio book:
This dark but devilishly entertaining audio—read by the terrific Giamatti (American Splendor, Sideways)—offers Dick fans the complete book...Giamatti is an inspired choice, managing to capture both the touching charm and the irritating obsessiveness of Dick's leading characters in a slightly futuristic version of Los Angeles: a drug addict named Bob and a narcotics cop called Fred—who might just be the same person, especially since they're both addicted to a drug called Substance D, which gradually splits the user's brain into two warring entities. Dick's book is not for the squeamish or those offended by strong language, but he and Giamatti make the degradation and despair of addiction poignant and often hilarious.
Giamatti does a great job of reading this story which tackles the drug culture, paranoia, self identity, addiction and betrayal. It is a rather complex story to capture on film, but reveals itself very well in written or audio form.
In this instance I would recommend seeing the movie first before reading or listening to the book. It is very well cast and helps to visualize the various characters and the technology used in the not too far distant futuristic society (it was the 90's for Dick who wrote it in th early 70's).